A disarmingly funny black comedy nestled somewhere between mockumentary & docudrama; sweet enough to draw forth easily belly laughs aplenty, inspired by the characters & situations, but tinged w/enough acid to give the proceedings an appealing tartness. Director Linklater manages to both extract an actual performance from McConaughey & suppress successfully Black’s habitual mugging. A career high-water mark for Black.
Look at this beautiful woman. Just look at her! Muh gawd…
(Source: bikinigirl-withmachineguns)
I don’t know this girl’s name, but she’s fucking beautiful! Just stunning.
She sort of reminds me of Lady Gaga…
Ha! I would actually like to see this… :-,
I don’t know who to credit for this picture but, if you know, let me know and I’ll tag the image.
History merely repeats itself. It has all been done before. Nothing under the sun is truly new.
I’m watching 1984’s Streets of Fire, and everything about the retro-styled production design heavily steeped in ’40s and ’50s — cars, clothing, tattoos — is everything that I see every day walking along Midtown sidewalks.
Mechanics jackets, hair pomade and cuffed jeans. Vintage blouses, pony tails and bangs. Rockabilly music, classic cars, hot rods, pin-up girls…vintage fashion, hairstyles and accessories. All this from a film released in 1984.
1984.
Agyness Deyn. Just…, perfect. Everything about this image, everything about her. Perfect.
(Source: jnavaclothing)
TRON: Uprising. Whoa! Previously my most anticipated and, now, officially, my favorite show on television. What an incredible debut! The anime-inspired visuals are extraordinary, certainly like nothing else I’ve seen before in a basic cable series. The score is amazing (thank you, Daft Punk!) and the voice talent is absolutely top-notch: Elijah Wood, Emmanuelle Chriqui, Mandy Moore, Lance Henriksen, Reginald VelJohnson, Paul Reubens, Tricia Helfer and, best of all (thank you, Disney!) Bruce Boxleitner as TRON. Boxleitner’s voice is in peak form; you can tell he is still the sunny Galahad we remember from the original, the sequel and, in between, every awesome television show from the ’80s. I consider TRON: Uprising a must-watch, and I will not be missing a single episode. In fact, I predict a season set purchase in my future…
Daiei’s answer to Toho’s Gojira, this 1965 daikaiju eiga doesn’t feature Sandy Frank’s hilariously tragic dubbing nor scenes shot post-release w/actors Dekker & Donlevy & doesn’t come close to it’s 1954 inspiration for quality. Still, this uncut original Japanese version does showcase a heapin’ helpin’ of Tokyo stompin’ & unintentional fun thanks largely to the original American actors’ side-splittingly poor diction.
Presented by Movies on a Big Screen at the Guild Theater.
A mad scientist keeps alive in a pan his fiancée’s disembodied head while he searches for a girl from whom he can snatch a suitable (i.e., stacked) replacement body. Simply casting aside any aspect of cinema craft that produces a great movie & allowing the bizarre & the outlandish to flow forth freely yields a Z-film that achieves the sort of hyper-irrational weirdness from which it’s nearly impossible to look away.
Presented by Movies on a Big Screen at the Guild Theater.
Milla at Cannes for the premiere of On the Road.
Milla is undoubtedly a world-class beauty. I could not possibly love this woman more…
Funnier & more heartfelt than the original, the MIB series rockets to a new zenith fueled by an ingenious script w/humor that’s never forced & Smith at his audience-pleasing best. Brolin’s meticulous mimicry of Jones’s Texas twang, so good it’s easy to forget that he’s not Jones & he’s not a CGI special effect, supports a full-blown, lived-in performance. Brings the MIB saga full circle to a seamless, perfect conclusion.
I have a new print, “Pleiades,” available from Knee Deep in Sleep.
Edition of 50 signed, embossed and supplied with a certificate of authenticity.
Printed on Hahnemühle PhotoRag 310gsm paper.
59 x 42 cmPlease click on the link or the image for further information. http://bit.ly/tLtw0H
